I am much happier with the bear at this size - about 32 inches long. The thread seems to more closely match the weight of the original pen strokes, and I can get better detail. Louis Nicolas was really pushing the medium when he did this drawing, trying to depict a white bear. It appears he diluted his ink and did a rhythmic sketchy zig zag shading all over the area of the bear to try to give the effect of fur. It's pretty odd looking, and so I had to make the choice of how I would handle it in my "translation". I decided to use a pale shade of brown yarn, and I am quite happy with the effect. I'm not planning to start using a variety of shades in any future pieces, but the light and dark bear need to balance each other in terms of texture and weight, and I think the lighter background does the trick.
I am looking forward to spending time with this bear, and thinking about my various associations with bears. There's Winnie-the-Pooh, of course, and Yogi and Boo Boo, and the time I was walking the dogs in the bush and they froze, while I stupidly walked ahead only to find a steaming fresh pile of bear shit on the path in front of us. There's the Werner Herzog movie Grizzly Man, and the news story last week of a BC woman who got lost in the woods overnight and said she could feel bears come up to her in the dark and sniff her face. And there's Suzy the bear in John Irving's Hotel New Hampshire, and Marion Engle's Canlit novel Bear. And of course who could forget Sam Elliot's immortal lines from the Big Lebowski ?
I am looking forward to spending time with this bear, and thinking about my various associations with bears. There's Winnie-the-Pooh, of course, and Yogi and Boo Boo, and the time I was walking the dogs in the bush and they froze, while I stupidly walked ahead only to find a steaming fresh pile of bear shit on the path in front of us. There's the Werner Herzog movie Grizzly Man, and the news story last week of a BC woman who got lost in the woods overnight and said she could feel bears come up to her in the dark and sniff her face. And there's Suzy the bear in John Irving's Hotel New Hampshire, and Marion Engle's Canlit novel Bear. And of course who could forget Sam Elliot's immortal lines from the Big Lebowski ?
wow! You've been doing a lot. I love the embroidered creatures and loved seeing the piece hanging in your previous post. I've unfortunately been down with pneumonia and am just getting caught up on my favorite blogs :)
ReplyDeleteI bet you were thrilled to get that great little book. How intriguing. I will say that you may not have yielded a lot of tomatoes this year but the ones you photographed look really beautiful. Thanks for noticing that I changed the blog name - - it was only for about a day then everyone squawked so I changed it back, guess I was just restless from sitting around the house being sick. Can't wait to see more of your stitching!
I like this bear, and the shading relegated to beneath the outlines of the bear works better than the drawing I think. You are on a roll. I'm enjoying catching up on all your thoughtful, intelligent posts while drinking a hot cup of mocha coffee - this morning.
ReplyDeleteThe funny thing is, when I looked at your stitched bears I didn't think they were two bear, one light and one dark. I thought it was one bear looking at it's reflection in the water. They are almost perfect mirror images. It's a fascinating drawing (totem) to work with.
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