I finished redoing this a week or two ago, but only just got the stretcher made and the piece mounted. I signed it too, with both Louis Nicolas's initials and an estimated date, and my initials. I took the style of the letters from pages in the Codex that had a lot of text on them, so there is at least a vestige of Pere Nicolas's hand there.
And I am much happier with the revised version. It was definitely worth the mild tedium of picking out stitches and reworking them.
Thursday, August 30, 2012
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8 comments:
I'd thought the first one was good, but you are right, it is much better like that!
(Well, you are an artist, me not. I know why. ;) )
I did love the concept behind the previous version, but I have to agree this way is better. I also like the way the two signatures balance out. Really beautiful!
You are right, it is much better. The composition is 'breathing' and looks much lighter. I also like the respect that you show for Père Nicolas.
in a word: stunning!
great job and it is better
Your persistence in getting this just right was so worth it! I love the final results including sharing the signature with Pere Nicolas.
Magnificent. . .
it's perfect. so good to know you are happy with all the extra work.
I like the signatures. Lovely concept.
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